Salaams. I have to come to the Arab world out of heartbreak.
Three semesters ago, I read Edward Said’s ‘Orientalism” and realized that I
have been making an age-old academic faux- pas: romanticizing my subject. I
took a Middle Eastern studies class, although I was at the time a Latin American
studies student. It was because I was fascinated by the distinct silhouettes of
veiled women and the harsh beauty of desert sands portrayed in the 1962 Oscar-winning
film “Lawrence of Arabia” that I wanted to draw back the curtains of the Arab
world and feast my eyes on the misunderstood oasis of a society that was the
Middle East. Said told me otherwise and wrote about the “subtle and persistent
Eurocentric prejudice against Arabo-Islamic peoples and their culture." I
realized by fetishizing my interest, I had been refusing to see the dimensions
of post-colonial societies. These societies grapple with the collisions of
modernity and tradition whether it is cheap Bollywood knockoffs of Hollywood
blockbuster titles or the selling of lacy lingerie in a souk. Globalization is most visible in details that are taken for
granted and missed. As an anthropology student and a diasporic individual, I am
fascinated by the subtle contradictions and absurdities that bring us together
and set us apart as global communities.
It is through the constant motions of communities coterminous of
imagined borders that mold and adapt culture. We are constantly in the midst of
reconfiguring our world. This spirit of deconstructionalism is what drives me
in my academic strata every day. I feel that I need to see the world from the
ground up, to look deeper with my senses as to what creates the world around
us. Culture is as organic as the skin we are in. As we stretch our hands out
from us, trying to grasp symbolism and semantics, the quick prick of fear of
the unfamiliar holds us back. Though heartbreaking, I must come to terms with
contradiction.
(Essam Marouf)
The musallsall unfolds from
the very cores of desires- oil, fragrance, veils. The orientalism is all around
us, we just need to pull away at the cobwebs. I cannot help but see
similarities and differences across the globe- from Chiapas, Mexico to Delhi,
India to Cairo, Egypt. The semantics, the symbolism, the nation-building. “Imagined
communities” are not landlocked. The same trails of broken treaties are no
different from Mexico to Palestine.
Here I am with heartbreak and an Umm Kulthum song, bags all packed for
Cairo. As a contemporary art junky (Frida Kahlo is my favorite) I am most
excited about exploring the art and literature scene(s) here in Cairo. Recently
I have been interested in graphic design and the Arabic script is so inspiring.
I can’t wait to gawk at labels on things. I also really enjoy eating and
reading about all the yummy Egyptian food has made me quite hungry- especially
Molokheya soup, which Lonely Planet describes as a ‘sexy slimy soup’ has peaked
my interest. Yanni. On my way to
Cairo. Ya allah, let’s go.
